-
there is a victim who is helpless against his torturer;
-
there is also a victimizer who is associated with evil and whose powers are immense or supernatural;
-
the setting of the gothic story is at some point within impenetrable walls (physical or psychological) to heighten the victim's sense of hopeless isolation--the central gothic image is the cathedral or haunted mansion within which the victim is imprisoned;
-
the atmosphere is pervaded by a sense of mystery, darkness, oppressiveness, fear, and doom to recreate the atmosphere of a crypt--a symbol of man's spiritual death and a "vehicle for presenting a picture of man as eternal victim"[1]; and finally,
-
the victim is in some way entranced or fascinated by the inscrutable power of his victimizer [2].
I finished Marion Harland's guide tonight and I wonder ceaselessly at two things. 1. She is so down on America! Even more than I am. She complains of things in which I am so well-steeped I could not see them for what they were. In particular, American style and cookery. It is true that our food, which we count as so much more generous in portion than the overseas counterpart, is as coarse and indecorous as it is plentiful, but as an American woman I cast up my hands and declare I would rather spend my time on something else. She makes an interesting point about American women's fashions. In France women wear what looks good on them, and in America women wears what comes off the manufacturing line in the latest style. It is very conformist, and I have to admit I feel it in myself, for I would be embarrassed to wear something that is "out" even if it flattered me better. 2. Harland's other point I feel clearly from last night's experiences. I looked in my journ...