Skip to main content

Writing

Last evening attempting to write and failing at it did much for me. For once, really doing it, I finally realize what I should do. I am too burdened by past stories, many novels, to write any more. Difficult as it may be, I want to apply myself to revising these completed novels to my satisfaction before even touching the unfinished novels, much less beginning a new one.

It has been on my mind for some time how many completed novels I have, and how all of them are unfit for human eyes-- Love's Shadow, Love's Image, Cymbeline, A Question of Honor, and Winter's Light, and the short stories, The Grove (lost presently), The Beekeeper, The Tower, Absinthe (also presently lost), and The Annunciation. And my two oldest, A Fragile Reverie and Winter Rose. I am starting to realize that with regard to revision and display, I can't make a silk purse from a sow's ear: nevertheless it gives me great pleasure to share my earliest work, whatever its flaws. Winter Rose was an attempt at Regency romance, Engel von Nacht influenced by the highly dramatic gothic novels of the 1700's I was into in high school, which Jane Austen scathingly parodies in "Love and Friendship" which I am presently reading.

Some old things I simply can't continue, others I can. But I won't have peace until I try.

By the way, I am exiled from the Internet for a week. If I like it, I may exile myself longer, perhaps for a month. Thanks to this Treo I may write in my weblog. Desktop entries will be sporadic and only when I send and receive email. I have determined that I am far from an Internet addict, but a piece of insight stuck with me: if it makes you feel lonely and depressed, then excise it from your life. Similarly, do without it and you will learn that you can. This encourages me in so many ways. Weirdly, I'm already contemplating all the things I'd love to say I can live without, or with little.

Sent from Amanda's Treo @-'-,--

Popular posts from this blog

The secret to a happy home

I finished Marion Harland's guide tonight and I wonder ceaselessly at two things. 1. She is so down on America! Even more than I am. She complains of things in which I am so well-steeped I could not see them for what they were. In particular, American style and cookery. It is true that our food, which we count as so much more generous in portion than the overseas counterpart, is as coarse and indecorous as it is plentiful, but as an American woman I cast up my hands and declare I would rather spend my time on something else. She makes an interesting point about American women's fashions. In France women wear what looks good on them, and in America women wears what comes off the manufacturing line in the latest style. It is very conformist, and I have to admit I feel it in myself, for I would be embarrassed to wear something that is "out" even if it flattered me better. 2. Harland's other point I feel clearly from last night's experiences. I looked in my journ...

Blanche, a re-telling of Snow White

I began this story after reading a collection of short stories by Angela Carter. “Snow White” has always been a favorite tale of mine and I have placed this re-telling in nineteenth-century rural Louisiana. Near Vacherie, Louisiana, there are not only swamps but also old beautiful plantations. Some of them are restored but others are abandoned and ruined. The places I have seen captured my imagination and I combined them with my impression of Snow White as an object of envy and lust. My heroine Blanche is a hard-working girl who longs to be rich and to live in New Orleans, where her father was born. She is threatened constantly by the attention of the rustics who live around her. Her stepmother beats her when she finds Blanche in Jean-Jacques’ arms. When Blanche runs away from home she is beguiled by Philipe de la Roche, who persuades her to live in New Orleans in a fancy house with seven women. Blanche does not realize that the women are prostitutes. The farmer Jean-Jacques, who love...